Tag Archives: Pulitzer

The Music We Cannot Hear

I have finally finished my slog through the third book by Siddhartha Mukherjee, The Song of the Cell (2022). You may know that Mukherjee won the Pulitzer Prize in 2011 for the extraordinary work, The Emperor of All Maladies: A Biography of Cancer.

I say “slog,” because I understood only a fraction of what I read in this remarkable book and could only take it in small doses. Even then it was a challenge, not because of exposition issues but because I simply cannot understand how scientists know what they know. Much of the story of the cell, which is really a multitude of highly differentiated “things,” has been learned in fairly recent times, but that reality is one of the keys to what I did come to realize as I moved through the astonishing complexities of cell-level biology.

The realization was how most of what we think is known by those who know this stuff is the product of accumulated trial, and sometimes egregious error, by a vast array of people over extended periods of time. Typically, someone in a laboratory somewhere comes up with some idea, inspiration, theory, call it what you will. He (typically a “he,” but thankfully less so over time) works on it, sometimes for years and then, with or without a meaningful or useful conclusion, moves on to other pastures.

Then, and this is the key to the whole story, years, sometimes decades later, some other scientist in a lab somewhere else, or maybe just in a library, finds a paper about the earlier person’s work, decides to take it up for further exploration perhaps with the benefit of intervening developments in the science, expands the theory, tests it and … sometimes … makes a major new discovery. The old idea may be rejected entirely or merely extended with the use of new technologies.

This narrative occurs over and over and over again through time. One discovery or idea builds on another, then is added to by someone else, then another person or entire team takes it up and … discovery occurs. Truth emerges. Theory becomes practice. Concepts become medical solutions to previously unsolvable mysteries of illness. One thing builds on another. Along the way there are many false starts, mis-directions, failed experiments, misunderstandings.

Sometimes the “establishment” rejects out of hand a new idea that challenges the current orthodoxy. Reputations are ruined for some along the way. Some give up and just move on to other subjects until someone else, somewhere, picks up the trail, has a new insight, solves a seemingly unsolvable mystery.

Thus, are born immunotherapy and a multitude of medical “miracles” never conceived of. Transplants of organs become possible. Open heart surgeries. On and on. It’s never easy and there is often resistance to progress. When embryonic stem cells were being investigated,

…critics, mostly from the religious right, would have none of it. They argued that human embryos had been destroyed – defiled – during the production of these cells and that embryos constituted humans. That these IVF [in vitro fertilization]-produced embryos were yet to acquire sentience, had no organs, were no more than a ball of undifferentiated cells that would otherwise have been discarded anyway, hardly placated them; it was their potential to form future humans that made them currently human …. In 2001 President George W. Bush, pressured by opponents of ES cell research, passed a law restricting federal funding to research involving ES cells that had already been derived …; any attempts to make new ES cells could not be federally supported. In Germany and Italy, too, research on human ES cells was highly restricted and, in some cases, banned.

The book touches on other “cutting edge” dilemmas, as well, such as human enhancement through genetic engineering.

But for me, the main story was the way in which science moves forward. Working scientists separated by time and space find each other and each other’s work, building on it and bring humanity the most remarkable discoveries. Not least of these were the vaccines that brought an end, more or less, to the COVID pandemic. At least for now. The work will continue, just as the challenges will continue to come. And the song of the cell will expand into new rhythms, new stanzas, new understandings without end.

The 2022 Pulitzer Prize for Fiction–My Nomination

The Pulitzer Prize for Fiction is awarded each year (usually) for books published the previous year. Thus, the 2021 Pulitzer went for a book published in 2020.

I am, therefore, in time to make my sole nomination for the Prize this year. I have never done this before.

My nomination is Late City by Robert Olen Butler. Butler already has a Pulitzer for the remarkable, A Good Scent from a Strange Mountain. But that was way back in 1993. With Late City, I believe Butler should be considered for the rarified club of double winners occupied by my favorite author, John Updike plus Booth Tarkington, William Faulkner and Colson Whitehead.

I cannot improve upon the dustjacket’s description:

A visionary and poignant novel centered around former newspaperman Sam Cunningham as he prepares to die, Late City covers much of the early twentieth century, unfurling as a conversation between the dying man and a surprising God. As the two review Sam’s life, from his childhood in the American South and his time in the French trenches during World War I to his fledgling newspaper career in Chicago in the Roaring Twenties and the decades that follow, snippets of history are brought sharply into focus, moments that resonate profoundly forward even into our own century.

Given that story line, I was surprised at the deep impression the book made. Butler’s prose is remarkable, and his storytelling has few equals. This book is cleverly constructed and brilliantly written. Part history, part memoir and more. I give you three short examples with little context.

Sam is often beaten by his father. At age twelve, he reads a report of the 62 lynchings of Negroes that year. Sam asks aloud “What’s wrong with us?” and more. Sam’s father prods him with his foot and says, “Stand up.” Sam knows what is coming “But I understand this blow is different. It’s the first one for an idea. An idea that feels like my own.” His father speaks,

“You will not indict America for this, he says. “You will not even indict the misguided white men who did this. These men are your people. They were hasty. They acted unlawfully. But they have grievances. They rely on you for understanding, not censure. Is that clear?”

Elsewhere, in another context entirely, Butler’s gift for prose shines in phrases like “the chaste seemliness of the age, which we have inevitably assimilated.” In another scene, “… our thighs tightly and unwaveringly aligned, ardent but chaste, as our shoulders square around to each other and our lips speak wordlessly of what we have become.”

This is, I believe, a genuine masterwork. Maybe it will surprise, delight and move you as it did me.